Our Stories
Jan Griffiths on Working with Family and Sharing Knowledge Through Generations
This story is part of a series profiling artists and mentors involved in the Country Road + NGV First Nations Commissions: My Country. In their own words, artists and mentors share their personal stories, shine a light on their work and community and share the messages they have for the next generation of First Nations creatives.
Here, Jan talks about working with her mother Peggy Griffiths, sharing knowledge across the generations and the significance of the incredible boab tree.
My mum (Peggy Griffiths) and I always work together. We work here in the arts centre (Waringarri Arts) and also out on Country. We live about 50 kilometres out of town, and we drive in and out to the arts centre. If there are workshops or things happening here, we sometimes come in Monday to Friday.
We live out at the West Australian and Northern Territory border. It's like living out bush. It can get really hot, but now we have houses out there. Before that, we were living out under the stars. I've grown up here on Miriwoong Country. It's beautiful Country.
Mum was working at the arts centre for a long time, and I joined in 2016. We do art and we also both love fashion. Mum made a dress that won an award. At the arts centre we do painting, textile work, printing, woodwork and we make traditional artefacts as well.
I really enjoyed the process of making art for this project. I liked being around the arts centre through the process too. Even though I had Mum as my mentor, being at the arts centre meant that I was also guided by other cultural leaders and advisors which is very important.
You learn a lot about the cultural side of things. I like learning language to add to my work. It's good being around the leaders so that I make sure that I am not doing anything wrong and that it's all done the right way.
My work represents the boab tree across 32 works of paper. I also made ceramic boab nuts. I have white ones on top that represent the living generations. We just had our fifth generation arrive a few weeks ago!
Mum and I are similar because Mum has five children and I have five children. They are grown up of course, and I have grandchildren now. The grandchildren come down to the arts centre and see what we're working on. They love to paint and they like to mix their creations from the ochre paints, and they make their own colours.
Me and Mum, we take them out and show them bush tucker and bush medicine. The boab tree is very special. It's what our people lived off, the boab nut. It can get dry and fall to the ground and when it's raw you can roast it.
We acknowledge the boab tree with the dreamtime stories and history and the knowledge that was handed down. My grandmother was born under that tree.
When people first come to the Kimberley region, they all love the boab tree because it's unique and there's nothing like it. I'd like to teach people that the tree doesn't just hold history and knowledge and culture. It holds survival.
I can't wait to see my work at the NGV and see what it looks like hanging up. It's only ever been on the ground, so I'm excited to see what it looks like when it's hung for the first time. I also want to see other people's work.
I'm actually making a folder up for our young artists which I will leave in the arts centre, to guide them through doing the things that I do.
The folder has two poems in it that I put together for my exhibition piece. I want them to read the poems and feel inspired. I also want to be inspired and motivated to do art to the best of my ability.
I have words and sayings that I have written down that I look at all the time. They are things like 'aspirations', 'goals' and being 'determined to strive to complete'. You do also need to have patience, be slow and steady and stay focused and have a plan.
My mother says she is very proud and happy about this work.
I will share the poem that goes with my work, and I hope it guides emerging artists.
By Jan Griffiths
I started from scratch
With only an idea
My plan was fuzzy
And wasn't very clear
I wanted to build
And sculpture my art
But that fell to pieces
As ownership mark
So I painted without thinking
Which wasn't my thing
To start the brush rolling
For some texture to begin
We went out on country
And drew the boab tree
To collect more ideas
That was wild and free
I've decided to use
The materials I know
Painting on paper
With my knowledge in flow
My sample is finished
And looks very smart
With boab nuts hanging
To accompany my art
I continued my milestone
To my last degree
Making my art bigger
For visitors to see
So here it is
On the gallery wall
A very unique piece
That I have made so tall.
The Country Road + NGV First Nations Commissions: My Country is a national, biennial mentorship and exhibition program that pairs emerging Australian First Nations artists and designers with one of eight esteemed industry mentors. Working collaboratively, the mentors each support and guide an emerging artist to create new and ambitious works.
Responding to this year's theme of 'My Country', these new works are displayed in a major exhibition that's now open and free to visit at The Ian Potter Centre: NGV Australia.